This Conversation Is Being Recorded — Hannah Kezema

Praise for This Conversation Is Being Recorded

”Layers upon layers. Poet disguised as a claims investigator? Hannah Kezema’s got salient eye & ear & scent & wit for the noir-like atmosphere of danger, suspicion, query, and protocol. Stories ordinary and weird, subplots, odd details (claimant dramatically killing a wasp during an interview). Always the foibles of the human realm. This Conversation Is Being Recorded is a unique collection in the doc-po realm, weighing the ways and words of the world with insider surveillance, (how to dress as a female investigator!), heart, and philosophic soul. The visuals are magnetizing, layered as well. Case opened?”

—Anne Waldman, author of Bard Kinetic

”Kinda like Tarkovsky’s Stalker, Hannah Kezema is our intimate guide into “the field,” a temporal and liminal space that exists outside of the jobs of California, where “if someone dies at their job during their lunchbreak, their family may not be compensated” and an injury acquired on a Monday morning “is a capitalist’s / favorite ammunition.” In some of the most elegant and exquisitely sparse language I’ve ever encountered, we listen in on recorded conversations, look upon scenes that may or may not have happened (or did, but maybe not like that), and are shown by Kezema what capitalism is not only capable of, but does – to bodies, to lives, to space, and to time.”

—Tatiana Luboviski-Acosta, La Movida

”Hannah Kezema’s This Conversation Is Being Recorded lingers with me for days now, in part because I am, and have always been, in “the chase for darkness.” It’s a way to temper uncertainty, to live more honestly, I tell myself. But mostly Kezema’s telling of these stories, some crimes committed against insurance companies, some against workers, some not really crimes at all, or not clearly so, but accidents, terrible luck, detail the lived experience of laborers—a carpenter, social worker, roofer, to name a few. When Kezema, a field investigator and editor in the insurance fraud industry, turns the scrutiny toward herself, she in turn projects a tender gaze on her subjects (Kezema’s personal accounts of accident and crime are devastating). The documentary poet who moonlights as a field investigator is not unlike the 911 dispatcher who files a stress claim: “haunted by sirens…just a rock for the suffering.” This is a gorgeous book that recognizes the adjacencies of our culture’s obsession with labor and grizzly spectacle—we want to feel prepared, but for what?”

—J’Lyn Chapman, To Limn/Lying In

“This Conversation Is Being Recorded is a book of poems punctuated by a series of eight paintings embedded with words and objects. Narrow openings in viscous fields of thick paint reveal handwritten messages and highlight phrases set in type. Human cries contrast with legalese. Textured color fields in earth tones break out into electric pinks, purples, and greens. Dried flowers are suspended in tactile surfaces the printed reproductions can only suggest. Kezema uses paint to bridge the gap between investigator and artist. In ‘A Detective Has the Eyes of an Artist’ she challenges the title of the poem with this statement: ‘prove me wrong.’ Impossible!”

—Felicia Rice, Heavy Lifting

”Hannah Kezema, poet-painter extraordinaire, whose day job as a field investigator and editor in the insurance fraud industry engages the provocations of her occupation as a catalyst for a grounded engagement with what it means to be a person with a claim within a socio-economic system that is dismissive of pain and suffering, itemizing, and monetizing as it does, the hardships and losses. Working across genres and mediums with a probing intensity, sensitive to complexity, this book glistens with insights pertaining to language’s involvement with equity and compensation when the playing field is fraught with systemic failures. The presentation of claimant’s claims are the beating organs of these poems. Hannah Kezema, writing with an ethics akin to Silvia Federici and other feminist theorists of labor, gender, race, and corporality, blasts through the calcified disregard formed by structural inequity to alternative ways of attention and response. This Conversation Is Being Recorded is a deeply moving chronicle of our time. Riveting, dynamical, empathetic.”

—Brenda Iijima, Bionic Communality

About the Author 

Hannah Kezema is an artist who works across mediums. She is the author of the chapbook, three (2017, Tea and Tattered Pages), and her work appears in Black Sun Lit, Grimoire, New Life Quarterly, Full Stop, Spiral Orb, and other places. She was the 2018 Arteles Resident of the Enter Text program, and she is currently the co-editor of Moving Parts Press’s broadside series of Latinx and Chicanx poetry, in collaboration with Felicia Rice and Angel Dominguez.

This Conversation Is Being Recorded Teaching Guide